Gonzalo Meseguer began his musical formation at the conservatory of his city completing forwards his musical studies at the Madrid Royal Conservatory of Music graduating with Honor distinction and completing his musical formation with the highest marks at the prestigious “Mozarteum” University of arts Salzburg

He received lessons of teachers such as Enrico Bronzi, Giovanni Sollima, Iagoba Fanlo, Radu Aldulescu, D. Miller, P. Hörr, W. Boettcher, Wen-Sinn Yang, Alexander Rudin, Rainer Schmidt (Hagen Quartet)and Christoph Coin among others.

He has been an award winner at several national and international competitions, highlights are his participation in the Brahms competition, at the Xativa competition and in the “Villa de Cox”. He has been invited to perform at various venues and festivals in Austria, Germany, China, Italy and Spain.

He was first cello at “Junger Kunstler” music festival of Bayreuth, Cammerata and at the World Yohth Orchestra (UNICEF) among others. As soloist he has performed with the Youth Orchestra of Murcia, the Orchestra Academy in Italy, “Hims Mola” orchestra, Cartagena chamber orchestra, Cammerata and the Symphonic Orchestra of Murcia.

Nowadays he combines his soloist and chamber music carrer with his position as cello and chamber music teacher in conservatories of Spain.

Gonzalo was award with the biggest musical distintion as “Promusic of the year 2015”

He plays a Forster cello dated from the end of XVIII Century.

“The audience dedicated their applause in just reward to the authentic category versions, the quality of his sound, technical transparency and expressive emotion of the young cellist”
-Octavio de Juan. 2012

“He evidenced having the score worked, understood and respected. The cellist cared for the sound, the tuning, the vibrato, the phrasing, the articulation, and the fast passages, including the octave scales and the tempo changes ... He played with the wind instruments and knew how to deal with the melodic tension of the first movement, the dramatic lyricism of the second and played with a quite virtuosistic vision of the third. With the strictly necessary emphasis, he did an interpretation that transmitted ... excellent musician besides performer ...”
-La opinion de Murcia. Enrique Bonmatí. 2017